A Quick Chat with Nardia
Can you tell us a bit about your inspiration for your single ‘Is It You’?
"Is It You" is a deeply introspective track that taps into those quiet, uncertain moments where you’re questioning your connection with someone—wondering if they’re truly the one you’ve been searching for, or just another fleeting spark.
The inspiration came from a place of emotional vulnerability and curiosity. It’s about that tension between desire and doubt, the hope for something real, and the uncertainty of love—wondering if the person in front of you is truly the one or just another chapter in your story. I wanted to capture the rawness of that feeling, the push and pull between hope and doubt. Musically, I leaned into rich, soulful melodies to amplify the emotion, letting the vocals carry the weight of that longing. It’s a song that asks a question we’ve all faced at some point—whether in love, life, or even within ourselves. It was written during a reflective period, when I was processing a lot emotionally and creatively.
What are your influences and how do they affect your songwriting?
My influences are a rich blend of genres and artists—spanning old soul, gritty blues, powerful jazz, and modern R&B—and they shape my songwriting in both subtle and bold ways. Growing up, I was surrounded by blues thanks to my dad, a blues guitarist. That raw, emotional storytelling stuck with me. Artists like Etta James, Ray Charles, and Aretha Franklin taught me how to channel feeling into every note. From them, I learned that vulnerability isn’t weakness—it’s power.
I’m also influenced by contemporary artists like H.E.R., Lianne La Havas, Alicia Keys and India Arie—women who seamlessly blend soul, R&B, and depth. Their music inspired me to experiment with modern sounds and layered production, while still staying true to my roots in jazz and blues. In terms of writing, I’m drawn to lyricism that’s honest and poetic. I love using metaphor and storytelling to bring emotional landscapes to life. Sometimes I write like I’m painting a scene; other times, it’s more stream-of-consciousness—just letting the truth spill out. All of these influences mix together in this wild, beautiful way to create something that’s uniquely me.
What’s the creative process like for you?
1. Emotion First, Always – My songs often start with a feeling—a moment that hits me, a lyric that pops into my head while driving, or a melody that just won’t leave me alone. I sit with it, let it simmer, and then follow where it leads. Sometimes it’s joy, sometimes heartbreak, sometimes that electric in-between space where you’re still trying to make sense of something.
2. Lyrics That Speak Truth – I’m a truth-teller, sometimes a little too much of an open book and my lyrics reflect that. They’re raw, poetic, often layered with metaphor, but always grounded in something real. Whether I’m writing about love, identity, or inner conflict.
3. A Collaborative Spark – When I’m in the studio—especially with people like Matt Robb who is my right hand man in songwriting—I feed off the tracks that he has crafted and write a collaborative song. Whether it's building harmonies, arranging instrumentation, or choosing production elements, we know when something feels right.
4. Performance as Final Polish – I’m a performer at heart and use my songs to make a difference. I think about how the song will connect with people and give them something to feel. I use this as my basis to bring the song to life. The delivery is what completes the story—every breath, run, and pause is intentional. I don’t just sing a song, I breathe it and use my voice as an instrument.
If you could change something about the Australian music industry what would it be?
If I could change one thing about the Australian music industry, it would be creating more consistent, sustainable support for diverse and independent artists—especially women, First Nations musicians, and culturally diverse creatives. There’s so much incredible talent in this country, but access to funding, festival slots, and radio play still isn’t equitable, particularly FM stations. It would be great to have broader representation, more investment in mid-tier artists, stronger support for mental health and career development, and better pathways for international exposure. Building a more inclusive, supportive industry would not only elevate our artists but help Australia thrive as a truly world-class music scene.
What do you think life would be like for you if you didn’t have music as an outlet?
Honestly, life without music would feel like living in black and white instead of colour. Music isn’t just an outlet—it’s how I process the world, connect with others, and express things I can’t always say out loud. Without it, I think I’d feel a little lost, like something essential was missing.
I’d probably still, however, create in some way—maybe through writing a book, sewing, fashion designing or interior design—but it wouldn’t hit the same. Music gives me clarity in chaos, joy in the mundane, and a sense of purpose that nothing else quite matches. It’s my therapy, my rebellion, my celebration, my truth. Without it, life would be quieter… but not in a good way.
Is there anyone you would like to collaborate with? Why?
Absolutely—there are so many artists I’d love to collaborate with, each for different reasons and what they’d bring to the creative mix.
Billie Eilish is one of them. I love how she blends vulnerability with edge—her sound is intimate, moody, and fearless. I think our voices could create something haunting and beautiful, especially with her brother Finneas producing. There’s a cinematic quality to her music that resonates with how I write emotionally charged songs.
Bruno Mars would be a dream. He’s a powerhouse performer and musician who bridges old-school soul, funk, and pop in such a fresh, infectious way. Collaborating with him would be about fun, groove, and vocals that hit hard. I imagine a big, bold track with brass, harmonies, and energy for days—pure musical joy.
On the hip hop side, I’d love to work with someone like Anderson .Paak. Anderson brings this insane musicianship and charisma—he blends soul, funk, and rap in a way that’s super playful but deep.
I’m really drawn to artists who live in that space between genres, who aren’t afraid to be real, bold, or genre-fluid.
What’s your advice to young people who want to make a career for themselves in the industry?
My advice to young people wanting to carve out a career in the music industry is this: stay true to your voice, be patient with your journey, and never stop learning. The industry can be tough, unpredictable, and at times overwhelming—but your authenticity is your superpower. Don’t try to fit into a box just to please others. People connect with honesty, and the more you lean into what makes you unique, the more your art will resonate.
Also, don’t wait for permission. Create your own opportunities—record that demo, post that live video, collaborate with other artists in your community, build your brand. The tools are in your hands more than ever. Surround yourself with people who lift you up, who give honest feedback, and who believe in you even when you’re doubting yourself. And most importantly, remember that success isn’t just about fame or numbers—it’s about growth, connection, and joy in the process. The journey won’t always be easy, but if it’s your passion, it will always be worth it.
Who’s the most interesting person you’ve worked with/met?
Two of the most interesting and influential people I’ve had the privilege of working with are Lindsay Field and the late Renée Geyer. Both played a huge role in my vocal coaching and training, and were instrumental in shaping not just my technique, but my approach to storytelling through song.
Lindsay, with his incredible musicality and experience, helped me refine my voice and taught me how to deliver a performance with intention and clarity. Renée, with her raw soul and unmatched authenticity, pushed me to dig deeper emotionally—to not just sing a song, but to live it, breathe it, and make people feel it.
They taught me that great singing isn’t about perfection—it’s about connection. Thanks to their mentorship, I found my voice not just as a singer, but as a storyteller, using music to express truth, vulnerability, and power. Their guidance has stayed with me through every performance and every song I write.
Any plans for a tour on the cards?
Yes, I’m planning to tour the USA later this year after my new album has been released in July! I’m incredibly excited to take my music overseas and connect with new audiences. There’s something really special about performing live—sharing stories through song and creating a moment with people in the room. I’ve been working on new material and can’t wait to bring it to the stage. Stay tuned!
Sun 13 Apr | Brunswick Ballroom, Brunswick Vic | All Ages
Tickets available from www.moshtix.com.au